Directed by: Brad Bird
Written by: Brad Bird and Tim McCanlies, based on the book by Ted Hughes
Starring: the voices of: Jennifer Aniston, Vin Diesel, Christopher Mcdonald, and Eli Marienthal
      
 The Iron Giant is not only one of the best (if not the best!) 
        family films of 1999, but it is also certainly among the best overall 
        films that the studios churned out all of last year. I don't know what 
        surprised me more: that this animated gem had nothing to do with Disney 
        (praise must be directed over to the suits at Warner Brothers for financing 
        this one), that the same suits at the WB did not fork over more dead presidents 
        to properly advertise this film (you can bet that "The Mouse" would never 
        have let this happen!), that - despite phenomenal word of mouth - it didn't 
        perform better at the almighty domestic box office, or just how off guard 
        this wonderfully moving picture caught me. 
      
 I guess I'd have to say all of the above for an animated release that 
        was unjustly bypassed during the high-octane, high-energy summer months 
        in favor of audience pleasers such as Tarzan, and South Park. 
        Don't get me wrong, Tarzan is an enjoyable thrill ride, and South 
        Park is by far last year's funniest film, but where The Iron Giant 
        lacks flair and humor, it makes it up with plenty of substance and compassion, 
        making it one of the few films of 1999 that both parents and children 
        will enjoy watching together - not just once but over and over. This one 
        is a welcome addition to your own personal home video library or DVD collection. 
      
 A lot of the credit goes to the crisp screenplay by Tim McCanlies and 
        writer/director Brad Bird, which is based on the book by Ted Hughes. In 
        addition, the people behind this production couldn't have picked a more 
        convincing setting than the Cold War-style hysteria of the one they chose 
        for this picture. In a little Sleepy Hollow town in 1957, a feisty 
        but sweet little boy named Hogarth Hughes (Eli Marienthal) is looking 
        for some companionship. The boy loves to use his imagination but unfortunately 
        has to rely on it quite a bit because his loving mother Annie (Jennifer 
        Aniston) is always working to help support them both. 
      
 One night, while his mother is working late, Hogarth decides to go out 
        and investigate a ruckus taking place at the local power plant near his 
        home. This is where he first discovers the Giant (Vin Diesel), a towering 
        robot of metal. The boy quickly realizes that the Giant has fallen into 
        danger of being electrocuted from some live wires and saves him by turning 
        off the power switch. As time progresses, the boy and his Giant become 
        friends, and Hogarth starts teaching him important life lessons.... And 
        just as in magical Spielberg blockbuster E.T., The Iron Giant 
        features paranoid types that don't completely understand - and more important, 
        don't bother trying - and want to destroy the creature because he is "perceived" 
        as a threat. The film's evil element is nicely handled by dependable silver 
        screen heavy Christopher McDonald, as the devious government agent Kent 
        Mansley. This calculating mastermind slowly closes in on Hogarth, who 
        is desperately trying to shield this gentle Giant from harm. 
      
 You will notice a lot of similarities between The Iron Giant 
        and E.T. - it's something of an animated equivalent. Although we 
        (sadly) don't get to know all that much about the metal man and what he's 
        doing here in the first place, his mysterious presence adds to the film's 
        allure. The film does deliver solid storytelling and an unyielding message 
        about friendship and violence. The moments between the boy and his Giant 
        are tender and sweet, and the way in which guns are portrayed as devices 
        of destruction is moving without delivering the usual sermon of onscreen 
        sentimentality. 
      
 It's refreshing to see an animated film that isn't drowned out by high-gloss 
        musical number extravaganzas and can be remembered much more for its powerful 
        message than its lavish layout. In additoin, its story is so penetrating 
        that you can easily forget that you're watching a cartoon. This cartoon 
        has more to say than most live-action films and is one that the whole 
        family should be sure to catch together.