Directed by: George Lucas 
  Starring: Liam Neeson, Ewan McGregor, Jake Lloyd, Samuel L. Jackson, Ray Park, 
  Ian McDiarmid, Natalie Portman, Kenny Baker, Pernilla August, and Anthony Daniels
      
Like any other Lucas worshiper, I waited patiently for 16 years for another 
        chance to enter his world and I can't begin to tell you how disappointed 
        I was. 
      
 I really wanted to love this film. I deliberately avoided reading the 
        less-than-stellar reviews of the picture before the big day. There were, 
        without a doubt, some spectacular things about the picture, but unfortunately 
        there are many more things going on here that will distract you, annoy 
        you, and ultimately frustrate you. It was obvious that Lucas didn't heed 
        all of his fans' feedback and sculpted Phantom more along the lines 
        of the weak link of the original trilogy Return of the Jedi. 
      
 We're immediately introduced to Jedi Master Qui-Gon Jinn (Liam Neeson) 
        and his young, spunky apprentice Obi-Wan Kenobi (Ewan McGregor). The master 
        and his right hand are on a peace mission to the planet Naboo, where they've 
        been assigned the difficult task of negotiating the end of a blockade 
        by the Trade Federation. Quicker than you can say trap, the two have been 
        conveniently set up by the evil Darth Sidious. They survive the ambush 
        and soon hook up with Jar Jar Binks (voiced by Ahmed Best), a Roger Rabbit-like 
        amphibian creature whom Qui-Gon saves and who is then indebted to the 
        Jedi. 
      
 Still on Naboo, the two Jedi and their new sidekick join forces with 
        the planet's young ruler Queen Amidala (Natalie Portman). The film then 
        moves to Tatooine, where the Jedi first meet up with the "chosen one," 
        baby-faced Anakin Skywalker (Jake Lloyd), a young slave with whom Qui-Gon 
        sees incredible potential. The film switches climates and locales again, 
        to the capital city of the Republic, where the film takes on a heavy political 
        tone. From here, the film plays out like a baby Jedi: Jar Jar Binks' 
        underwater community tries to save the planet versus an army of computer 
        generated droids, while the alliance is battling the Dark Side in space, 
        and an elaborately staged lightsaber match is about to begin. 
      
 The dueling match to the finish pits our two trustworthy Jedi against 
        one of the series' most delicious villains. While the Emperor had Darth 
        Vader at his side, Darth Sidious counts on his loyal second-in-command 
        Darth Maul (Ray Park), a terrific red-faced Satan-wannabe with the style 
        and danger of Jet Li. His explosive, acrobatic moves and double-sided 
        saber do his talking for him. The result is arguably the best sequence 
        of any of the films. That's exactly what I wanted to see - besides a well-developed 
        story - and Lucas at least delivered one of the two. 
      
 Liam Neeson brought a fine sense of nobility to his role as Obi-Wan's 
        teacher. His calm persona made his character believable and appealing. 
        Ironically, he was even a tad bit more reckless than Ewan McGregor's personification 
        of Obi-Wan. Although McGregor was more restrained here than he usually 
        is on film, he was just as effective as the loyal and obedient embodiment 
        of the master in waiting. Jake Lloyd played the coming-of-age Anakin to 
        a tee, while I gave Natalie Portman credit for doing her best with an 
        underwritten role as Naboo's young ruler Queen Amidala. 
      
 The biggest plus the film has is its incredible showcase of special 
        effects. Almost every scene - from the opening sequence to the medieval-style 
        battle scenes involving Sidious' life-like droids and Jar Jar Binks' people 
        to the finale - are incredible. But all the special effects in the world 
        do not make up for its shortcomings. 
      
 One disappointment was the film's kiddie focus. I understand that Lucas 
        had to develop initial storylines and introduce Anakin Skywalker as a 
        boy, but that's not the problem. Lucas' constant employment of Jar Jar 
        Binks as the film's comedic relief and as a tool for young children's 
        affections was. I can see why kids might've found him amusing, although 
        I tend to give them more credit than that! Sadly, every time I began to 
        get excited, there was Jar Jar sucking the life out of the picture. 
      
 The special effects were out of this world, but at times the incredible 
        visuals were just plain excessive as the moviegoer was hit with sensory 
        and imagery overload. The droid army sequences were computer generated 
        marvels, but a bit too much of a good thing. The pod race, in which young 
        Anakin first proves himself, is a technological masterpiece, but Lucas 
        spent way too much time on perfecting it. In these cases, less would have 
        been more. 
      
 Lucas was also kind enough to give us a Star Wars political lesson, 
        but it was just too time-consuming. Lucas should've shifted more time 
        and energy in letting us get to know the characters better. We appreciate 
        and like Anakin because we get to know him. I would've loved to have gotten 
        to know more about the stoic and all-knowing Qui-Gon and the quiet but 
        engaging Obi-Wan, which leads me to my biggest complaint: why did the 
        film take so long to get Darth Maul into the mix? Hey, in Star Wars, 
        the evil element is introduced in the first five minutes. We want and 
        need to know this component of the film much sooner and in more depth, 
        but Lucas disappoints on both levels. 
      
 I've read that many felt that the director's human element was missing 
        here and I totally agree. The exceptional set designs and eye-popping 
        special effects simply overwhelmed the characters. As a result, we simply 
        didn't care enough about these people or better yet, we weren't able to 
        connect with them. And in his focus on a child audience, he forgot to 
        entertain the adults who awaited this film much more eagerly than today's 
        children, who have only marketing as a context for wondering about the 
        Jedi, the Force, and the Dark Side. 
      
 Lucas tried to make up for the loss of originality by letting part of 
        his creativity go into overdrive and it showed. He demonstrated to the 
        world what he could do with special effects, but in the midst of presenting 
        a lavish production, he forgot to weave a good story.